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Dijon Palace Dukes - filming location in Croatia

SCENE 01 / COMMUNICATION SYSTEMS

Communication Systems

Professional on-set communication equipment keeping your production coordinated and running smoothly.

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Here is how this works in practice. Production comms kit keep departments set up across sets, stages, and remote locations. Pro intercom systems, walkie-talkies, and wireless comms networks enable real-time planning between directors, assistant directors, camera, sound, and production management across the shooting day.

Here is the short of it. We give and configure comms kit packages scaled to your production's crew size and location complexity. Our team handles channel planning, gear distribution, and tech setup so your departments can communicate reliably from the first call to wrap each day.

Capabilities

Complete Communication Solutions

From basic walkie-talkies to full broadcast intercom systems, we provide communication equipment that keeps every department connected and coordinated.

01

Two-Way Radios

  • Motorola digital systems
  • Multi-channel radios
  • Long-range units
  • Waterproof handsets
  • Repeater systems

Reliable Coverage

02

Headset Systems

  • Production headsets
  • Surveillance earpieces
  • Noise-cancelling units
  • Boom operator comms
  • Director headsets

Hands-Free Comms

03

Intercom Systems

  • Clear-Com systems
  • Riedel artist series
  • Wireless beltpacks
  • Base stations
  • Camera talkback

Pro Intercom

04

Specialty Comms

  • IFB systems
  • Video village feeds
  • Multi-zone coordination
  • Stunt coordination systems
  • Crowd control comms

Specialized Solutions

On Location

Production comms in Croatia draw on the Zagreb-based rental pool and on HAKOM-coordinated UHF spectrum, with channel plans built for locations as varied as Dubrovnik's walled Old City and the open Adriatic islands.

Here is how this works in practice. We supply two-way radios, intercom systems and IFB packages from the gear-rental market concentrated in Zagreb, scaling units to crew size and the coverage challenge each location presents. Our team plans channels for each department before the shoot and tests coverage on site, because the same kit behaves very in new ways inside the thick stone walls and narrow streets of Dubrovnik's Old City than it does across the open ground of an island exterior or the courtyards of Diocletian's Palace in Split.

Here is the short of it. Where line-of-sight breaks down we deploy repeaters and base stations. We keep charged backup handsets in the package so a dropped radio never stalls a setup. Because Croatia is in the EU single market and Schengen, extra comms stock moves freely by road from rental houses in Italy. Slovenia and Austria when a large multi-unit production outstrips the in-country pool, with no carnet needed for that EU transport.

Here is the breakdown. Wireless comms, IFB feeds and talkback all use radio range, and HAKOM. The Croatian Regulatory Authority for Network Industries — covers radio-frequency allocation on EU-harmonised UHF bands. Our team sets up frequencies so comms channels sit clear of wireless microphones, IEMs and video links sharing the same set. Non-EU shoots bringing their own comms hardware clear ATA Carnets through Croatian customs, mostly via Zagreb Airport, while Split and Dubrovnik serve coast-based units.

Here is what that looks like on the ground. Coastal conditions matter for handset durability: salt air, humidity and the strong bura and jugo winds are planning factors near the Adriatic, so we specify weather-resistant units for exposed island and shoreline work. Gear hire from Croatian vendors counts as qualifying spend under the HAVC 'Filming in Croatia' rebates. A 25 percent cash rebates on eligible Croatian spend.

FAQ

Production Communication Expertise

What communication systems do you provide?

Here is the breakdown. We supply complete communication solutions including two-way radios (Motorola digital and analog), production headsets, Clear-Com and Riedel intercom systems, IFB feeds for talent, and specialty planning systems. Gear ranges from basic walkie-talkies to full broadcast intercom installations.

How many radios do I need for my production?

Radio needs depend on crew size and production complexity. Typical feature shoots need 30-80 radios covering all departments. We help check your needs and recommend appropriate quantities with backup units. We can add gear as needed during production.

Can you provide coverage in remote locations?

Yes, we design systems for challenging locations using repeaters, long-range gear, and multi-site planning. We survey locations in advance when possible to identify coverage challenges and deploy appropriate solutions.

Do you handle frequency licensing in Croatia?

We set up all frequency licensing needs with Croatian authorities (ANFR). This has short-term production licenses, frequency planning, and compliance records. Lead time differs by location and range availability.

What about intercom systems for video village?

We give complete video village communication including director-to-set comms, camera talkback, script supervisor links, and department planning. Systems can integrate with wireless video for full tracking and communication.

How do you handle equipment for multiple units?

For multi-unit shoots, we design set up communication plans with separate channels per unit, shared frequencies for key staff, and cross-unit planning skills. Each unit receives complete gear packages.

Productions in Croatia that need this often pair it with Lighting Equipment Rental, Data Management Systems, and Monitoring Equipment Rental for full coverage. Most projects also draw on Wireless Microphone Systems and Monitor & Video Village.

On Set

Need Production Comms?

Tell us about your production and we'll design a communication solution that keeps everyone connected.